Analysis of Hewlett Packard and Ciscos Partnership

Hewlett Packard and Cisco Partnership Executive summary The fundamental need that has presented is that certain customers demand and expect a partnership between HP and Cisco for certain aspects of their data needs. These customers are generally the ones who are using HP servers and Cisco switches (Burt, 2011). However, partnership between HP and Cisco simply isnt that simple, particularly because the last decade has seen their relationship become increasingly more strained; however this is fundamentally becomes an issue that they can put their differences aside for (Burt, 2011). The two companies, once longtime partners that have since become fierce rivals in the data center, have jointly developed the Cisco Fabric Extender for HP BladeSystem-or the Cisco Nexus B22 Fabric Extender (FEX) for HP. The new product, which was co-engineered by both vendors, is aimed at businesses running HPs c-Class BladeSystem blade servers who want to leverage the Cisco United Fabric (Burt, 2011). Theres absolutely no reason why the two companies cant e xtend the extender and work to make this data system offering even more precise and expansive. The need means that the two companies need to more fully react and continue to meet the needs of their customers, even if its inconvenient to them. Thus, the fundamental recommendation revolves around establishing a strong partnership between Cisco and HP and one which allows them to establish mutual trust. The current alliance which hasShow MoreRelatedCisco Systems Architecture2359 Words   |  10 PagesCisco systems Architecture: ERP and Web-Enabled IT Case Introduction and Background and analysis of the Business Cisco Systems, a Global leading company that manufactures and markets Internet Protocol (IP) equipment, uses routers to send digital and voice data over the Internet. 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Essay on Enlightenment and the Death of God - 3443 Words

Enlightenment and the Death of God Intellectual thought since Nietzsche has found itself one way or another addressing the death of God. Most of this thinking, however, has taken place from an atheistic starting point and has not considered its own presuppositions. It strives to find consistent outworking from these presuppositions and to eradicate the shadow of God carried over from the Enlightenment tradition because of its grounding in a theistic worldview. However, the outcome and implications of thinking after the death of God has been found hideous and many attempts have been made to transcend the absurdity there. THE DEATH OF GOD Nietzsche proclaimed in The Gay Science, God is dead: but given the way men are, there†¦show more content†¦The second type of atheism is much more rare. It is based on a moral denial of God, and usually carries a much deeper understanding of the implications of his absence. It is stated best by Dostoevsky in The Brothers Karamazov, through the character Ivan Karamazov who takes issue with God over the suffering of innocent children and declares that since he cannot understand or forgive injustice he will reject God, preferring to stand with the wicked rather than accept the suffering as part of his Lords perfect plan. Camus seems to advocate this form of atheism too in the section on metaphysical rebellion in The Rebel and also in The Plague, where the protagonist, Dr. Rieux, concludes, since the order of the world is shaped by death, mightnt it be better for God if we refuse to believe in Him and struggle with all our might against death, without raising our eyes towar d the heaven where He sits in silence (117-118). This form of rebellion, the denial of God even if He does exist, is much more logical and coherent than the atheistic assumptions of science, but both rest on Enlightenment presuppositions. THE PRESUPPOSITIONAL NATURE OF MODERN ATHEISM It is easy to see that scientific atheism is assumed as a presupposition rather than established as some sort of conclusion. The empiricism that Enlightenment science stressed so much is incapable of proving or disproving the metaphysical existence of God, but it has displaced Him asShow MoreRelatedThe Question of Origin According to Hinduism871 Words   |  4 Pagesinto two aspects one male and one female† (Shattuck). The man is identified as Shiva and women as Shakti. The ultimate goal of human identity is obtaining enlightenment of â€Å"the individual self to lose its separate identity in the universal Self† (Shattuck). The Question of Meaning/Purpose – Hinduism is faced with a revolving wheel of life, death and rebirth called Samsara better known as reincarnation. They believe this life cycle is a direct relation to a person’s karma of deeds done. 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The RSC Production of Beauty and the Beast Free Essays

When watching the Royal Shakespeare Company’s production of â€Å"Beauty and the Beast† I noticed several aspects of the production that I found particularly impressive. One such aspect was the use of lighting and shadows on stage. Spotlights and floodlights were the main types of lighting used. We will write a custom essay sample on The RSC Production of Beauty and the Beast or any similar topic only for you Order Now In many of the scenes that did not take place in the Beast’s house, a relatively bright yellowy-orange light filled the stage showing there was nothing particularly important or magical about these scenes/ As soon as the audience’s attention was required to be focused on a particular character, lights would fade out and a spotlight placed on the character. One such example of this was when Mama dies and Beauty sang a solo part. In the Beast’s house, lighting was taking to a much darker level, reflecting the magical and mysterious characteristics of the house. Once particular use of lighting in the house was very effective, the use of different coloured lights when Beauty and the Beast were eating supper. When the bowls were placed on the floor, trapped doors beneath them were opened so that floor lights could flood through the translucent bowls, giving the effect of different magical foods. One bowl lit up red, to which Beauty responded with â€Å"Oh! Strawberries!† then, as Beauty put the lid back down, the colour of the lighting changed to blue and then to green. At the same time, the stage was slowly filling with dry ice, which had lights from different places shining into it. This dry ice gave the magical side that the scene needed, and the colouring in it added even more mystery and magic. Another effective use of lighting was the mirror ball in the room/hall of mirrors. This reflected onto the audience and made them feel more involved in the scene. The music used in the production added a depth of atmosphere, causing slight unrest when in the Beast’s home, and a sad, emotional ambience at the death of Beauty’s mother. In the Beast’s house, a man on the balcony sang notes rather that words, backed by eastern, slightly oriental instruments. These instruments had the ability to make a strange, but somehow welcoming atmosphere feel apparent in the Beast’s house – something that was important in understanding both the setting and the character of the Beast. The music that played during the dance in which the mother played the horse was sharp and almost violent, mirroring the movements of the horse. At one point, the chorus used large wooden sticks to bang off the floor as a way of backing up the music and adding a stronger beat, possibly shadowing the horse’s hooves as it ran. When Beauty’s mother died, she sat on the floor and sang a classic French song that was repeated at certain points in the play. Another time repetition was used was when a woman on the balcony repeatedly sang the word â€Å"Beauty†¦ Beauty†¦ Beauty†¦Ã¢â‚¬  when Beauty sat alone on the stage. Both of these examples of repetition create a slightly eerie, but at the same time calming atmosphere, which made me feel rather uneasy in the audience. The set, although rather simplistic, was highly effective, and very symbolic at times. It began with a taut cotton sheet with the front of a Parisian style house painted on. Two workbenches were at either side of the ‘door’. This sheet was pulled down, revealing the family standing on more benches, this time of different heights; the parents were in the middle, on the highest of the benches, the boys were standing on the right, slightly lower and the girls were on the left and were at the lowest level. When the family lost their wealth the benches were taken away and the backdrop pulled up, leaving an empty stage. A row of coat hangers came down from the ceiling and each family member hung up their expensive clothing. This showed it was the end of an era, and that they had to move on. The hangers going up, rather that just backwards or to the sides, showed that the life the family once had was now out of their reach and they had no way of getting back to it. This is an i maginative and cleaver way of showing the loss. A swing then came down and the family climbed onto. It swung back and forth and as a way of illustrating the family how the family had to move far away, to the downtrodden cottage in the countryside. Having the family on the swing gave time for us to see how each of the characters were reacting to the change, I think this helped the audience to understand the characters on a more personal level. When the family got off the swing, it was onto a silky brown sheet of material that was hooked onto the edges of the stage, around 0.75m off the ground at the back, but slowly sloping down to meet the floor at the front of the stage. This was used to symbolise the mud near to the cottage – a sign of how basic what they actually had was. The chorus had crawled underneath the fabric and when the family stood on the mud, they used their arms and heads to create shapes to show the mud and gloopiness. After a time, the family lay down in the ‘mud’ and the chorus sat up, cradlin g the cast in their arms as a way of showing acceptance from the family and the countryside that this is how things were going to be. When this was got rid of, a house folded up from the floor that used two panels from the floor as the roof and thing, what looked like wooden, panels for the walls. This use of thin materials for the house was a direct symbol of the family’s situation and, although the house was very simple, it had a certain fairytale-cottage-like look about it. The Beast’s palace was far more extravagant and impressive than the family’s cottage. When the father first went into the house big bamboo sticks bowed down from the ceiling, with lights inside. This gave a striking, slightly imposing entrance to the palace and led to a circular doorway at the back of the stage that was blacked out, creating a sensation of mystery and curiosity. When Beauty went into the palace, and we saw her room, the swing that had carried to the family to the countryside had now turned into a four poster bed, with pink covers, which swung to help relax Beauty and make her feel more welcome. As it swung, the audience could see that Beauty was warming to the palace, which is something we had not seen before this scene. At one point in the play, when the Beast was feeling particularly low, he climbed a ladder on the back wall of the stage and crawled into a small compartment, only big enough for himself. The fact that he was completely alone in there s hows that he wanted to be cut off from civilization, possibly because he did not feel worthy enough to be around humans in his beast-state, however the compartment was above everything so it was symbolic of how he was the supreme leader of his palace and had overall control. This helped to give us an insight into the character’s feelings at the time, which aids our understanding. As if to show a passage of time, when Beauty returned home to the country cottage the house has gained another story and big fans decorated with painted roses were surrounding the house. The overall view of the house gave a sparkling, happy fairytale effect and showed that the family were now more comfortable in the house, that they had settled in and were gaining from the experience. The final aspect I have chosen to look at it the costume designs. At the very start, all the family members were in white, expensive looking outfits – obviously a sign of their status and showing that they are good people. When the family had to hang up their clothes, they stayed in the undergarments they had on for a while, until after they had arrived in the countryside when they put on plain overalls. These overalls may have been a sign that, although they were not best pleased with being stuck in the countryside, they were aware that they had no choice and were willing to work for their money. Beauty did not change her clothes, and for the entirety of the play, she wore a plain – but pretty – white dress. The witch, who was played by the same actress as who played Mama, wore an extravagant ball gown that was sparkly and dark, with a very large headdress that showed she was an important character in the story. The dress was very dark, as you would expect a witch’s clothing to be, however when the light hit it just right it glittered a lot, which showed to be lighter, which is something that is perhaps portrayed in her character. The Beast was wearing brown rags that had hints of a goldy material in them. At times, when the light hit the fabric just right, a tiny patch shone gold and sparkly. This hidden colour shows the character of the Beast well ~ we know he doesn’t like who he is, or what he is, but we cannot escape the fact that he is of authority and high status. He wore a claw on his one hand and make up that created the physical aspects of the character. When he became a man, the rags were removed and he wore simple leggings with a chiffon type robe that showed off his muscles and body shape, emphasising the fact that he was a proper man. When Beauty returned home late on in the play the family were dressed in bright clothing that looked far less grand – this showed that they had accepted their life and lost all sense of importance of appearance because they had found true happiness in the countryside. Many of the different examples above give us a better insight into a character, or a place – for example, the Beast showed us that he felt isolated and alone at one point in the play simply by climbing into a compartment only big enough for him. The aspects of the play I have talked about work together in the performance to create atmospheres and to explore characters’ emotions. An example of atmosphere being created may be how costume and music were entwined to create the sombre moment in which Beauty, wearing her pure white dress and holding the doll that symbolised her for the beginning part of the play, sing almost as a tribute to her dead mother. We are meant to feel sympathy for Beauty, and we do because she looks so pure and innocent in her dress, however if she were in a black dress this feeling may not have been stirred as our basic minds associate white with good and black with bad. Lighting and costume also worked together well, such as in the witch’s costume. The headdress was very elaborate and when the lights shone onto her, a huge shadow fell on a section of the stage. The imposing shadow, with the spikiness and movements made me feel quite unnerved and was an impressive way of showing that she has high importance and power. Every one of the aspects I have discussed came together in the Beast’s house. The overall effect was only created well by using suitably magical lighting, the creepy voices and instruments, a good set or in some cases using the chorus line to create the feeling of magical furniture, and costumes that gave us an insight into the character, such as Beauty’s dress or the Beast’s costume, whilst also serving well in the purpose of making the play feel alive. This mix of all the different aspects came together to create an aura of a mystical and scary palace. How to cite The RSC Production of Beauty and the Beast, Papers

Critique of Picasso at the Lapin Agile Essay Example For Students

Critique of Picasso at the Lapin Agile Essay Mr.. Vase Critique of Picasso at the Lapin Agile Written by Steve Martin and directed by Brine Lang, Picasso at the Lapin Agile is a play located at the Lapin Agile, in Paris. Albert Einstein and Pablo Picasso, both young, headstrong and passionate, come together in a fictitious meeting devised in the comic mind of Steve Martin. Its bohemian Paris, at the turn of the century and everything has fallen quiet to listen to a conversation of exquisite topics. Does art matter? Can science touch the heart? Is beauty truly in the eye of the beholder? Did Einstein and Picasso really only excel in their chosen fields in order to get girls? With a little help from a mysterious, visitor from the future (based on order of appearance) these topics get debated in one of the best possible environments, the bar of the scurrying rabbit. Steve Martins sense of humor is very immense in size, based on the bars name. By calling it the Lapin Agile (meaning scurrying rabbit) Martin is foreshadowing an unattainable theme to his play. He has a great sense of humor by calling it this and is very organized throughout the play, by placing hints all throughout the play, about he message of his play. Freddy is the bar tender of the Lapin Agile and is set on stage directions. When Einstein walks in, he realizes something was off and he points out later that, In order of appearance. Youre not third. Youre fourth (11). By breaking that third wall between the audience and the play, Martin makes a very humorous act and allows one of his characters to use the play pamphlet to site the location of the casts order of appearance. With his successful attempt to achieve humor by breaking the wall between the audience and the actors, Martin can be understood to be triumphant at his attempts to create humor. Then, after Freddy citation to the cast in order of appearance, that wall between the actors and audience is set back in place. This is some funny stuff. When Einstein walked in, he spoke of meeting a woman, but he never told her the place where they were going to meet. This was Einstein theory that everything happens as an accident and that if something is bound to happen, it will no matter the place or the time. I happen to disagree with the statement because of the face that the world is big and time passes no matter what we are doing. Its hard to Just run into someone who you want to meet, without having a plan first. People these days are busy and they are not always where we think we are. As the play progresses, Germane, a waitress and Freddy girlfriend, speaks about two pieces of work being of the same value. This is a great point that Martin brings forth in his play. But expressing his feelings about how two pieces of work can be seen as one, it makes me thing of two things that are similar in genera, but different in style. I could only think of music. There are many different love songs out their and they are all pertaining to different kinds of people. But on the other hand, you have many songs that are popular. Is it popularity that is the decision maker in our minds or is it something else? This question is something martin brings forth a lot. Martin has a way of telling Jokes that I have never heard before. When the part comes about the foretelling of the future, Freddy and Germane predict some futuristic creations that they believe to lay ahead. Germane makes some precise predictions that have come true, but the people around her make fun of her and tell her that her thoughts are not real. .u2c19fb8c434d693d012b670936b07910 , .u2c19fb8c434d693d012b670936b07910 .postImageUrl , .u2c19fb8c434d693d012b670936b07910 .centered-text-area { min-height: 80px; position: relative; } .u2c19fb8c434d693d012b670936b07910 , .u2c19fb8c434d693d012b670936b07910:hover , .u2c19fb8c434d693d012b670936b07910:visited , .u2c19fb8c434d693d012b670936b07910:active { border:0!important; } .u2c19fb8c434d693d012b670936b07910 .clearfix:after { content: ""; display: table; clear: both; } .u2c19fb8c434d693d012b670936b07910 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2c19fb8c434d693d012b670936b07910:active , .u2c19fb8c434d693d012b670936b07910:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2c19fb8c434d693d012b670936b07910 .centered-text-area { width: 100%; position: relative ; } .u2c19fb8c434d693d012b670936b07910 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2c19fb8c434d693d012b670936b07910 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2c19fb8c434d693d012b670936b07910 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2c19fb8c434d693d012b670936b07910:hover .ctaButton { background-color: #34495E!important; } .u2c19fb8c434d693d012b670936b07910 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2c19fb8c434d693d012b670936b07910 .u2c19fb8c434d693d012b670936b07910-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2c19fb8c434d693d012b670936b07910:after { content: ""; display: block; clear: both; } READ: Analysis of Surrealism EssayOn the other hand, Freddy makes some predictions such as cloths being made of wax and the French being the almighty rower of Europe, and he is seen as the sane one. Martin is trying to point out that no matter how crazy the idea, it might come true because Germanys theory was seen as a crazy one, yet it came true. It makes me thing of what out future will hold!!! Will there be a possibility of Jet pack and robotic houses that clean them selves? Germanys ideas were crazy for her time and mine are the same, one never knows if their futuristic predictions will come true. Not only is martin good at making Jokes, he is good at conveying theories, through pieces of work that one would never believe had a deeper meaning than the surface crust. When Einstein and Picasso are having an argument between them about science and say they dont have the same meaning, martin is trying to express his feelings by say that both science and art are connected directly. You have to be an artist to be able to think of the vast universe and there is a science behind drawing a face. Its hard to believe that if youre good at science then you should be good at art as well and vice-a-versa. I still cant color for s*% even though I am good at science, I dont know how that works out! Later on in the play, Freddy tells a Joke that no one understands. Einstein tryst to interpret the Joke using, his talented scientific thinking, to the others, but many people still chose to choose their thoughts about it. This brings to me another idea that martin is trying to convey. He is saying that surrealism is interpreted differently to different people and no one answer is correct to a complex surreal question. Its based on the persons understanding to the concept and past experience with the topic on hand. So to me the Joke doesnt make any sense and I would replace the letter e with the letter O because pies are supposed to be circular and BIG. Later Freddy and Einstein have a debate about an icebox laughter. Based on their discussion, a laugh can happen at anytime. It could be that one didnt understand the Joke or moment and decided that it wasnt funny. Then later on, that person laughs about the topic and sometimes it happens without thought and wonder what it is you were laughing about. That has happens to me a lot of times. Later on in the play, another very funny aspect to martins play is his perception of Picasso as being a womanlier. Germanys assessment of the word womanlier very well fits Picasso character. Being a profound painter of the twentieth century, Picasso has his hands on many women, of different characteristics. He can have as many as he wants, whenever he wants, which is why Germanys remark of Picasso as being a womanlier is a correct one. I would have said that he is the kind of guy who can be described by the phrase, hit-it-and-quit-it. This man, is one of those who takes women for granted and will do one when he wants, Just to satisfy his lust and will forget about her the next day. What a guy. In my opinion, women should be cherished. They are better to deal with when theyre happy, which meaner you have to do less work to please them and they will make you happy as well. On the other hand, if one is to take advantage of women, then they will lose their trust and may lose them forever. That is something that I would never want to happen. As the play continues martin introduces many new ideas of his, one being the idea of how beautiful love is. .ufdd640adecabad21601d1d8685ac6f91 , .ufdd640adecabad21601d1d8685ac6f91 .postImageUrl , .ufdd640adecabad21601d1d8685ac6f91 .centered-text-area { min-height: 80px; position: relative; } .ufdd640adecabad21601d1d8685ac6f91 , .ufdd640adecabad21601d1d8685ac6f91:hover , .ufdd640adecabad21601d1d8685ac6f91:visited , .ufdd640adecabad21601d1d8685ac6f91:active { border:0!important; } .ufdd640adecabad21601d1d8685ac6f91 .clearfix:after { content: ""; display: table; clear: both; } .ufdd640adecabad21601d1d8685ac6f91 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ufdd640adecabad21601d1d8685ac6f91:active , .ufdd640adecabad21601d1d8685ac6f91:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ufdd640adecabad21601d1d8685ac6f91 .centered-text-area { width: 100%; position: relative ; } .ufdd640adecabad21601d1d8685ac6f91 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ufdd640adecabad21601d1d8685ac6f91 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ufdd640adecabad21601d1d8685ac6f91 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ufdd640adecabad21601d1d8685ac6f91:hover .ctaButton { background-color: #34495E!important; } .ufdd640adecabad21601d1d8685ac6f91 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ufdd640adecabad21601d1d8685ac6f91 .ufdd640adecabad21601d1d8685ac6f91-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ufdd640adecabad21601d1d8685ac6f91:after { content: ""; display: block; clear: both; } READ: A Critique of Gone to Soldiers by Marge Piercy EssayPicasso says he would give it all up if could sing songs about love. No more paints or more brushes Just the moonlight, the June light, and you (66). By being able to sing, people have the ability to touch your souls. They sing a song that are related to the public and thats how they touch people. Another season why Picasso might want to become a singer, if he could, is because it makes people dance, enjoy them selves, and sing to the beat. Best of all, it captures a lot more attention than paintings and more people can relate to song, rather than paintings. A moment of perfection is something that everyone wants to feel, a time when everything feels like its perfect and that nothing can make you feel bad. Picasso had his moment of perfection, when he saw the painting that was revealed by the visitor. The painting made him have a moment of perfection, where nothing else mattered but the painting. Hard to know when its happened till its over (72). Moments of perfection are times when you feel like you would do anything to stay and be with the person youre with or to continue a special task of yours, will it satisfies your mind. At the end of the play they are all giving a toast to the new century and Germane stays with Freddy. Its funny how martin leaves Germane with Freddy and doesnt hook her up with Picasso. I guess he is trying to convey the way we should treat women again. He first states this in Germanys comment of Picasso as being a womanlier. By leaving Freddy and Germane together, martin is conveying the Hough that you dont have to be a rich famous person to be with someone, you Just have to be gentle and considerate. He also tries to get across the thought that we shouldnt treat women any different than we treat ourselves. WOW, what a message! Only a guy like Steve Martin would be able to present such a complex misunderstanding in real terms, with a comical piece of literature. For a guy who used to make a living with fake arrows through his head, a great play. The complex idea within the simple short play is a great way to catch the publics eyes and attention. Great Job STEVE!